heart-episodes; debates whether to become a clergyman; is "Pippa Passes" a drama? estimate of the poem; Browning's rambles on Wimbledon Common and in Dulwich Wood, where he composes his lines upon Shelley; asserts there is romance in Camberwell as well as in Italy; "Sordello"; the charge of obscurity against "Sordello"; the nature and intention of the poem; quotations therefrom; anecdote about Douglas Jerrold; Tennyson's, Carlyle's, and M. Odysse Barot's opinions on "Sordello"; "enigmatic" poetry; in 1863 Browning contemplated the re-writing of "Sordello"; dedication to the French critic, Milsand.
Browning's three great dramatic poems; "The Ring and the Book" his finest work; its uniqueness; Carlyle's criticism of it; Poetry versus Tour-de-Force; "The Ring and the Book" begun in 1866; analysis of the poem; kinship of "The Ring and the Book" and "Aurora Leigh"; explanation of title; the idea taken from a parchment volume Browning picked up in Florence; the poem planned at Casa Guidi
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