Story of southern society at the outbreak of the Civil War and of an art student's life in New York about 1860.
ow of dingy houses built of brick, their iron balconies hung in flowering vines, the windows glistening with panes of wavy glass purpled by age.
On the sunny side of the square, opposite the church, were more houses, high and low; one all garden, filled with broken-nosed statues hiding behind still more magnolias, and another all veranda and honeysuckle, big rocking-chairs and swinging hammocks; and still others with porticos curtained by white jasmine or Virginia creeper.
Half-way down this stretch of sunshine--and what a lovely stretch it was--there had stood for years a venerable mansion with high chimneys, sloping roof, and quaint dormer-windows, shaded by a tall sycamore that spread its branches far across the street. Two white marble steps guarded by old-fashioned iron railings led up to the front door, which bore on its face a silver-plated knocker, inscribed in letters of black with the name Of its owner--"Richard Horn." All three, the door, the white marble steps, and the silver-plated knoc
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