g of ideal representation, on a conscientious and close study of the real.
Full of character, too, are the heads of his old people, with flowing beards and severe aspect, and those of his saints and martyrs, which were evidently either young novices of the convent, contemporary brethren, or elder companions in the faith, portrayed with sapient and ingenuous realism. But the figures which most brilliantly display his genius, are those diaphanous angels, robed in flowing tunics, resplendent with gold, and of infinite variety. While admiring that multitude of celestial creatures, who praise, sing and dance around the radiant Madonnas, how can we doubt that they have visited his cell, and that he has lived with them in a fraternal and sweet familiarity?
Even when he has to represent scenes of passion, Fra Angelico mitigates the violence of action with softness of sentiment, for anger and disdain never entered his soul; and in their place he prefers to reproduce one character alone in all his figu