lite rusticity which knows nothing of the delving laborers of 'La Terre', but only of graceful and learned leisure, of solitude nursed in revery, and of passion that seems the springtide of germinating nature. He possesses great originality and the passionate spirit of a 'paysagiste': pictures of provincial life and family-interiors seem to appeal to his most pronounced sympathies. His taste is delicate, his style healthy and frank, and at the same time limpid and animated.
After receiving, in 1890, the Prix Vitet for the ensemble of his literary productions, he was elected to the Academy in 1896. To the stage Theuriet has given 'Jean-Marie', drama in verses (Odeon, February 11, 1871). It is yet kept on the repertoire together with his 'Maison de deux Barbeaux (1865), Raymonde (1887), and Les Maugars (1901).'
His novels, tales, and poems comprise a long list. 'Le Bleu et le Noir' (1873) was also crowned by the Academy. Then followed, at short intervals: 'Mademoiselle Guignon (1874.); Le Mariage