EACH IN HIS GENERATION. By Maxwell Struthers Burt
"CONTACT!" By Frances Noyes Hart
THE CAMEL'S BACK. By F. Scott Fitzgerald
BREAK-NECK HILL. By Esther Forbes
BLACK ART AND AMBROSE. By Guy Gilpatric
THE JUDGMENT OF VULCAN. By Lee Foster Hartman
THE ARGOSIES. By Alexander Hull
ALMA MATER. By O. F. Lewis
SLOW POISON. By Alice Duer Miller
THE FACE IN THE WINDOW. By William Dudley Pelley
A MATTER OF LOYALTY. By Lawrence Perry
PROFESSOR TODD'S USED CAR. By L.H. Robbins
THE THING THEY LOVED. By "Marice Rutledge"
BUTTERFLIES. By "Rose Sidney"
NO FLOWERS. By Gordon Arthur Smith
FOOTFALLS. By Wilbur Daniel Steele
THE LAST ROOM OF ALL. By Stephen French Whitman
t of an embarrassment of riches offered by this author. The best horror story of the year is Rose Sidney's "Butterflies." It is a Greek tragedy, unrelieved, to be taken or left without palliation.
Athletics, no one will deny, constitutes a definite phase of American life. The sport-struggle is best illustrated in the fiction of Lawrence Perry, whether it be that of a polo match, tennis game, or crew race. "A Matter of Loyalty" is representative of this contest, and in the combined judgment of the Committee the highest ranking of all Mr. Perry's stories. "Bills Playable," by Jonathan Brooks, conceives athletics in a more humorous spirit.
Animal stories fill page upon page of 1920 magazines. Edison Marshall, represented in the 1919 volume, by "The Elephant Remembers," has delivered the epic of "Brother Bill the Elk." In spite of its length, some fifteen thousand words, the Committee were mightily tempted to request it for republication. Its Western author knows the animals in their native lairs. "Break-Ne