can trace his best deeds very largely to the influence of some little stanza or couplet early stored away in his memory and coming ever freshly to mind in after years as the embodiment of truest wisdom.
We cannot guarantee in all cases the absolute correctness of the forms of the poems given, though much pains have been taken to ensure accuracy; but authors themselves make changes in their productions at different times in different editions. Nor have we always been able to trace the poem to its source. Slips and errors of various kinds can hardly be avoided in such matters. Even so competent an editor as John G. Whittier, in his "Songs of Three Centuries," ascribes "Love divine, all love excelling" to that bitter Calvinist, Augustus M. Toplady, giving it as the sole specimen of his verse; when it was really written by the ardent Arminian, Charles Wesley, with whom Toplady was on anything but friendly terms. If Whittier could make a blunder of this magnitude we may be pardoned if possibly a keen-eyed
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