Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880

in spite of themselves, to see Juliet, daughter of the drochiere, electrically abstracted from her window as if by the sudden application of a four-hundred-enraged-mother-power to her lofty chignon from behind, while the three Romeos, evidently all strangers to each other, folded their tents like the Arab and silently stole away. [Illustration: ROMEO.]

[Illustration: JULIET.]

The Leatherstonepaughs always suspected that no lordly race, from father's father to son's son, had ever dwelt in their immense palace. They suspected rather that it was, like many another mighty Roman pile, reared by plebeian gains to shelter noble Romans fair and proud whom Fate confined to economical "flats," and whose wounded pride could best be poulticed by the word palazzo.

Hans Christian Andersen knew this palace well, and has described it as the early home of his Improvisatore. In those days two fountains tinkled, one within, the other just outside, the dusky iron-barred basement. O