ed in the time of Trajan, but also of spoils brought to Rome from various places. These bas-reliefs, statues, the columns, the cornices and other ornaments which belong to another epoch only serve to expose the defects in those parts of the work which are entirely due to the sculptors of the day and which are most rude. Very rude also are some scenes of small figures in marble under the circles and the pediment, representing victories, while between the side arches there are some rivers also very crude and so poor that they leave one firmly under the impression that the art of sculpture had been in a state of decadence for a long while. Yet the Goths and the other barbarous and foreign nations who combined to destroy all the superior arts in Italy had not then appeared. It is true that architecture suffered less than the other arts of design. The bath erected by Constantine at the entrance of the principal portico of the Lateran contains, in addition to its porphyry columns, capitals carved in marble and beau
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