For a moment on River, and Harbor, and Sound, there is silence. But behind us we hear the subdued roar and beat of the metropolis, a sound comparable to naught else on earth or in heaven: the mighty systole and dyastole of a city's heart, and the tramp, tramp of a million homeward bound toilers—the marching tune of Civilization's hosts, to which the feet of the newly arrived immigrants are already keeping time, for they have crossed the threshold of old Castle Garden and entered the New World.
e other's apology, became oblivious, apparently, of his presence and intent upon the passing throng.
The crowd thinned gradually; the priest passed out under the arch of colored electric lights; the gentleman of the box, observing the look on the student's face, smiled worldly-wisely to himself as he, too, went down the crimson-carpeted incline. Champney Googe's still beardless lip had curled slightly as if his thought were a sneer.
The priest, after leaving the theatre, walked rapidly down Broadway past the marble church, that had been shown on the stage, and still straight on for two miles at the same rapid gait, past the quiet churchyards of St. Paul's and Trinity into the comparative silence of Battery Park and across to the sea wall. There he leaned for half an hour, reliving in memory not only the years since his seven-year old feet had crossed this threshold of the New World, but recalling something of his still earlier childhood in his native France. The child's song had been a