ighty-seven tons. It was brought from Assouan to Thebes, a distance of one hundred and thirty-eight miles. It is wonderful to think of moving such a vast weight over such a distance, and one would naturally wish to know also how the sculptors could work on such a statue. The plate here given (Fig. 8) shows the process of polishing a statue, and the following one (Fig. 9) illustrates the mode of moving one when finished. These representations are found in tombs and grottoes, and tell us plainly just what we wish to know about these things.
[Illustration: FIG. 6.--HIERACOSPHINX.]
I have now pointed out the marked peculiarities of Egyptian sculpture, and before leaving the subject will call your attention to the fact that in most cases it was used in connection with and almost as a part of Egyptian architecture. In the tombs the bas-reliefs are for the decoration of the walls and to finish the work of the architect, while at the same time they are an interesting feature of the art of the nation and