The very interesting and richly coloured masque or pantomimic play which is here printed in book form for the first time, was invented sometime in 1894 or possibly a little earlier. It was written, not for publication, but as a personal gift to the author’s friend and friend of his family, Mrs. Chan Toon.
ENG BENG seeks MAH PHRU to explain that he goes on urgent affairs, that he will come back to her and to his sons, perhaps before the waning of the new moon. Their parting is sad with the pensive sadness of look and gesture peculiar to Eastern people.
MENG BENG goes (C.) with U. RAI GYAN THOO. MAH PHRU mounts to the verandah to watch them go from behind the curtains. Then, slowly sinking across the heaped-up cushions, she faints.
The sun has set. The music ceases. The melancholy cry of the peacocks fills the silence.
Seven years have elapsed.
The same scene.
Curtain discovers MAH PHRU seated on a high verandah. A clearance has been made in the surrounding trees to give a full view of the road beyond. She is watching, always watching. Wi
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