r him by Burleigh's son-in-law Edward de Vere, Earl of Oxford. This person, though few of his writings are now extant, is nevertheless an interesting figure in Elizabethan literature. The second part of Euphues published in 1580, and the Hekatompathia of Thomas Watson, are both dedicated to him, and he seems to have acted as patron to most of Lyly's literary associates when they left Oxford for London. Lyly became his private secretary; and as the Earl was himself a dramatist, though his comedies are now lost, his influence must have confirmed in our author those dramatic aspirations, which were probably acquired at Oxford; and we have every reason for believing that Lyly was still his secretary when he was publishing his two first plays, Campaspe and Sapho, in 1584. But this point will require a fuller treatment at a later stage of our study.
 Mr Baker however seems to think that his reference to Cambridge (Euphues, p. 436) implies a term of residence t
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