The Scarlet Banner
The Scarlet Banner
This story, published in Germany under the title of Gelimer is the third volume in the group of romances to which "Felicitas" and "The Captive of the Roman Eagles" belong, and, like them, deals with the long-continued conflict between the Germans and the Romans.But in the present novel the scene of the struggle is transferred from the forests of Germania to the arid sands of Africa, and, in wonderfully vivid pen-pictures, the author displays the marvellous magnificence surrounding the descendants of the Vandal Genseric, the superb pageants of their festivals, and the luxury whose enervating influence has gradually sapped the strength and courage of the rude, invincible warriors--once the terror of all the neighboring coasts and islands--till their enfeebled limbs can no longer support the weight of their ancestors' armor, and they cast aside their helmets to crown themselves with the rose-garlands of Roman revellers.
ps surged the dense masses of the Carthaginian populace, shouting, looking back, and often halting with loud acclamations. Many pressed around the Vandal warriors, begging for gifts. The latter were all mounted, many on fine, really noble steeds, descendants of the famous breed brought from Spain and crossed with the native horses. The westering sun streamed through the wide-open West Gate along the Numidian Way; the stately squadrons glittered and flashed in the vivid light which was dazzlingly reflected from the white sandy soil and the white houses. Richly, almost too brilliantly, gold and silver glittered on helmets and shields, broad armlets, sword-hilts, and scabbards, even on the mountings which fastened the lance-heads to the shafts, and, in inlaid work, on the shafts themselves. In dress, armor, and ornaments upon rider and steed the most striking hues were evidently the most popular. Scarlet, the Vandal color, prevailed; this vivid light-red was used everywhere,--on the long, fluttering cloaks, the