Nor is it only in these open-air scenes that Wordsworth has added to the long tradition a memory of his own. The "storied windows richly dight," which have passed into a proverb in Milton's song, cast in King's College Chapel the same "soft chequerings" upon their framework of stone while Wordsworth watched through the pauses of the anthem the winter afternoon's departing glow:
Martyr, or King, or sainted Eremite, Whoe'er ye be that thus, yourselves unseen, Imbue your prison-bars with solemn sheen, Shine on, until ye fade with coming Night.
From those shadowy seats whence Milton had heard "the pealing organ blow to the full-voiced choir below," Wordsworth too gazed upon--
That branching roof Self-poised, and scooped into ten thousand cells Where light and shade repose, where music dwells Lingering, and wandering on as both to die-- Like thoughts whose very sweetness yieldeth proof That they were born for immortality.
Thus much, and more, there was