Fighting in Flanders

arrying a camera the size of a parlour-phonograph. No one but an American could have accomplished what he had, and no American but one from Kansas. He had not only seen war, all military prohibitions to the contrary, but he had actually photographed it.

Thompson is a little man, built like Harry Lauder; hard as nails, tough as raw hide, his skin tanned to the colour of a well-smoked meerschaum, and his face perpetually wreathed in what he called his "sunflower smile." He affects riding-breeches and leather leggings and looks, physically as well as sartorially, as though he had been born on horseback. He has more chilled steel nerve than any man I know, and before he had been in Belgium a month his name became a synonym throughout the army for coolness and daring. He reached Europe on a tramp-steamer with an overcoat, a toothbrush, two clean handkerchiefs, and three large cameras. He expected to have some of them confiscated or broken, he explained, so he brought along three as a measure of precaution.