manifestly stirred to eloquent expression of his feeling.
In November 1806 Scott began 'Marmion,' designed as a romance of Feudalism to succeed the Border study in 'The Lay of the Last Minstrel.' The circumstances of the time, no doubt, to some extent prompted the choice of subject. Napoleon was diligently working out his ambitious scheme of a Western Empire, and plotting the ruin of Great Britain as an indispensable feature of the arrangement. Scott was not always intimately acquainted with the details of current politics, but when a subject fairly roused his interest he was not slow to take part in its discussion. This is notably illustrated, in this very year 1806, by the outspoken and energetic political ballad he produced over the acquittal of Lord Melville from a serious charge. This ballad, which went very straight to the heart of its subject, and left no doubt as to the party feeling of the writer, not only arrested general attention but gave considerable offence to the leaders on the side so sharply handled. It is given, with an explanation of the circumstances that called it forth, in Lockhart's Life, ii. 106, 1837 ed.
While, however, party politics was not always a subject that interested Scott, patriotism was a constituent element of his charact