The Clod by Lewis Beach
Eugenically Speaking by Edward Goodman
Overtones by Alice Gerstenberg
Helena's Husband by Philip Moeller
hose days would hardly have been considered complete without the "afterpiece," or, as time went on, sometimes the "curtain raiser." It is by no means certain that theatre seats were always cheaper than to-day. In some cases, certainly, they were relatively quite as high. But it is certain that you got more for your money. You frequently saw your favorite actor in two contrasted roles, two contrasted styles of acting perhaps, and you saw him from early evening till a decently late hour. You didn't get to the theatre at 8.30, wait for the curtain to rise on a thin-spun drawing-room comedy at 8.45, and begin hunting for your wraps at 10.35. One hates to think, in fact, what would have happened to a manager fifty years ago who didn't give more than that for the price of a ticket. Our fathers and mothers watched their pennies more sharply than we do.
For various reasons, one of them no doubt being the growth of cheaper forms of amusement and the consequent desertion from the traditional playhouse of a consi
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