So many fantastic tales have come to us of students' life abroad, of their temptations, trials, finances, successes and failures, that I have attempted to give here the true story of the preparation for an operatic career, and its fruition. My road leads from New York to Paris, to Germany and thence to London, and back to the Metropolitan Opera House.
ey were very sweet to me.
Living at my boarding house was a young doctor, who also would have liked to be nice to me. But my exaggerated conscientiousness would not allow me to have anything to do with one man while I was engaged to another, and I refused all his invitations to the theatre and to Saturday afternoon excursions. My one indulgence was in standing-room tickets for the Metropolitan. What a boon to girls in my situation would be the inexpensive municipal opera and endowed theatres of Germany with their system of Schule Vorstellungen (students' performances) of standard plays and operas at prices that put a comfortable seat within the means of even the most humble purse! This was the lack the Century Opera would have supplied.
My church engagement was to come to an end May first. The thought of turning my back on the start I had made depressed me fearfully. I had given my word to marry and did not think of wavering. But the letters of my fiancé and his rare visits to Ne
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