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A Book of Operas

Their Histories, Their Plots, and Their Music

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Published: 1917
Language: English
Wordcount: 83,845 / 250 pg
Flesch-Kincaid Reading Ease: 42.2
LoC Category: AG
Downloads: 5,897 4175
Genres: Reference, Music

nor Angrisani (Don Basilio), and Signor Crivelli, the younger (Fiorello). The opera was given twenty-three times in a season of seventy-nine nights, and the receipts ranged from $1843 on the opening night and $1834 on the closing, down to $356 on the twenty-ninth night.

But neither Phillipps nor Garcia was the first to present an operatic version of Beaumarchais's comedy to the American people. French operas by Rousseau, Monsigny, Dalayrac, and Grétry, which may be said to have composed the staple of the opera-houses of Europe in the last decades of the eighteenth century, were known also in the contemporaneous theatres of Charleston, Baltimore, Philadelphia, and New York. In 1794 the last three of these cities enjoyed "an opera in 3 acts," the text by Colman, entitled, "The Spanish Barber; or, The Futile Precaution." Nothing is said in the announcements of this opera touching the authorship of the music, but it seems to be an inevitable conclusion that it was Paisiello's, composed for St. Peter



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Maria La Serra believes in love and serendipity. She also believes in creating novels that are a bit different from the regular, run-of-the-mill books that readers have become accustomed to. As our author of the day, La Serra chats with us about her debut work, The Proverbial Mr. Universe, fashion design and serendipity.
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