ood, Karasowski, at least an acquaintance, if not an intimate friend, of the family (from whom he derived much information), Fetis, a contemporary lexicographer, and apparently Chopin's family, and even Chopin himself, did not know the date of the latter's birth.
Where the character of persons and works of art are concerned, nothing is more natural than differences of opinion. Bias and inequality of knowledge sufficiently account for them. For my reading of the character of George Sand, I have been held up as a monster of moral depravity; for my daring to question the exactitude of Liszt's biographical facts, I have been severely sermonised; for my inability to regard Chopin as one of the great composers of songs, and continue uninterruptedly in a state of ecstatic admiration, I have been told that the publication of my biography of the master is a much to be deplored calamity. Of course, the moral monster and author of the calamity cannot pretend to be an unbiassed judge in the case; but it seems to him t
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