writers" who then reigned supreme, particularly the mystic Hoffmann, who was both poet and musician, and who wrote the most beautiful poetic arrangements of the works of Gluck, Mozart, and Beethoven, along with the absurdest notions of music, tended to completely disturb his poetic ideas and mode of expression in music. This youth of scarce sixteen was in danger of losing his wits. "I had visions both waking and sleeping, in which the key note, third and quint appeared bodily and demonstrated their importance to me, but whatever I wrote on the subject was full of nonsense," he says himself.
It was high time to overcome and settle these disturbing elements. His imperfect understanding of the science of music, which had given rise to these fancies and apparitions, now gave place to its real nature, its fixed rules and laws. The skilled musician, Mueller, who subsequently became organist at Altenburg, taught him to evolve from those strange forms of an overwrought imagination the simple musical intervals
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