It will be readily understood that this little volume does not affect to set forth anything like a formal history of the rise and progress of Art in England. The fitting treatment of such a theme would need much more space--not to mention other requirements--than I have here at command. I have designed merely to submit in a manner that may, I trust, be acceptable to the general reader, and not wholly without value to the student, some few excerpts and chapters from the chronicles of the nation's Art, with biographical studies of certain of its artists.
it well done in time.' After the accession of Charles, it appears that Gerbier was employed in Flanders to negotiate privately a treaty with Spain, in which Rubens was commissioned to act on the part of the Infanta; the business ultimately bringing the great painter to England. In 1628, Gerbier was knighted at Hampton Court, and, according to his own account, was promised by King Charles the office of Surveyor-General of the works after the death of Inigo Jones. In 1637, he was employed at Brussels in some private state negotiation with the Duke of Orleans, the French King's brother, and in 1641 he obtained a bill of naturalization, and took the oaths of allegiance and supremacy. According to Vertue, he was much hated and persecuted by the anti-monarchic party, for his loyalty and fidelity to the King and his son. At the sale of the royal collection he made purchases to the amount of £350. The suspension of all art-patronage during the Commonwealth, probably necessitated the establishment of his Academy