It was my good fortune for two years to be one of the Official War Office Kinematographers. I was privileged to move about on the Western Front with considerable freedom. My actions were largely untrammelled; I had my instructions to carry out; my superiors to satisfy; my work to do; and I endeavoured to do all that has been required of me to the best of my ability, never thinking of the cost, or consequences, to myself of an adventure so long as I secured a pictorial record of the deeds of our heroic Army in France. I have striven to make my pictures worthy of being preserved as a permanent memorial of the greatest Drama in history.
hings as close as possible, tying two extra spools of film in a package round my waist under my coat, put on my knapsack, and drew my Balaclava helmet well down over my chin.
Anxiously I awaited my friends. Seven o'clock--eight o'clock--nine o'clock. "Were they unable to come for me?" "Was there some hitch in the arrangement?" These thoughts flashed through my mind, when suddenly I heard a voice call behind me.
[Illustration: USING MY AEROSCOPE CAMERA IN BELGIUM, 1914-15]
Turning, I saw my chauffeur friend beckoning to me. Hurrying forward, I asked if all was well.
"Oui, monsieur. I will meet you by the railway cutting."
This was the beginning of an adventure which I shall always remember. I had been up at the bridge some two minutes, when the armoured car glided up. "Up, monsieur
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