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The Theory and Practice of Perspective

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Published: 1910
Language: English
Wordcount: 43,898 / 141 pg
Flesch-Kincaid Reading Ease: 46
LoC Categories: LT, NA
Downloads: 1,016
Added to site: 2006.12.23 15622
Genre: Instructional

e to place his personages, and to measure their different sizes according to their distances; indeed, he must make his stage and his scenery before he introduces his actors. He can then proceed with his composition, arrange his groups and the accessories with ease, and above all with correctness. But I have noticed that some of our cleverest painters will arrange their figures to please the eye, and when fairly advanced with their work will call in an expert, to (as they call it) put in their perspective for them, but as it does not form part of their original composition, it involves all sorts of difficulties and vexatious alterings and rubbings out, and even then is not always satisfactory. For the expert may not be an artist, nor in sympathy with the picture, hence there will be a want of unity in it; whereas the whole thing, to be in harmony, should be the conception of one mind, and the perspective as much a part of the composition as the figures.

If a ceiling has to be painted with figures floati



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Maria La Serra
Maria La Serra believes in love and serendipity. She also believes in creating novels that are a bit different from the regular, run-of-the-mill books that readers have become accustomed to. As our author of the day, La Serra chats with us about her debut work, The Proverbial Mr. Universe, fashion design and serendipity.
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