hange in the metaphorical atmosphere of the house. The audience no longer wears the look of subdued melancholy which was once involuntarily assumed by each mourner for the memory of SHAKSPEARE, who passed the solemn threshold. The ushers no longer find it necessary to sustain their depressed spirits by the surreptitious chewing of the quid of consolation, and are now the most pleasant, as they were always the most courteous, of their kind. Persons have even been heard, within the past week, to allude to BOOTH'S as a "theatre," instead of a "temple of art;" and though the convulsions of nature which attend the shifting of the scenery, and cause castles to be violently thrown up by volcanic eruptions and forests to be suddenly swallowed by gaping earthquakes, impart a certain solemnity to the brightest of comedies, still there is a general impression among the audience that BOOTH'S has become a place of amusement. And in noting this change PUNCHINELLO does not mean to jeer at the former and normal character of
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