she says, the fear of what "would happen from an Agreement supposed to be concluded betwixt the two Managers, which made 'em apprehend, that if they submitted to act under such Agreements, they must be absolutely in the Managers Power." As the writer of The Case Between the Managers (p. 11) presents it, a conversation between a personified Covent Garden and Drury Lane would have gone like this: "Well, but, Brother Drury, we can manage that matter [how to keep audiences]--Suppose you and I make a Cartel; for instance, agree for every other Theatre, and oblige ourselves by this Cartel to reduce by near one half the Salaries of our principal Performers--I'gad, we may cramp 'em rarely this way--they must serve us at any rate we tax their Merit at, for they'll then have no where else to go to." Drury Lane responds, "D--n me, if that is not divinely thought--my dear Friend, give me a Kiss."
Late in the summer of 1743, several months before the salary figures described above, Garrick, Macklin,
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