This portrait of toilers in late-nineteenth-century London's literary world depicts abject professional, personal, and marital disappointment -- and the rise of one man who maneuvers to snatch the glittering prizes. Absorbing, ironic, and often extremely (if darkly) funny.
l hair of russet tinge; hers was not a face that readily smiled. Their mother had the look and manners of an invalid, though she sat at table in the ordinary way. All were dressed as ladies, though very simply. The room, which looked upon a small patch of garden, was furnished with old-fashioned comfort, only one or two objects suggesting the decorative spirit of 1882.
'A man who comes to be hanged,' pursued Jasper, impartially, 'has the satisfaction of knowing that he has brought society to its last resource. He is a man of such fatal importance that nothing will serve against him but the supreme effort of law. In a way, you know, that is success.'
'In a way,' repeated Maud, scornfully.
'Suppose we talk of something else,' suggested Dora, who seemed to fear a conflict between her sister and Jasper.
Almost at the same moment a diversion was afforded by the arrival of the post. There was a letter for Mrs Milvain, a letter and newspaper for her son. Whilst the girls and their mother talked of unimpo