ly destructive of all individualism, that "nonconformity" is the capital crime of a writer. We violently differ in opinion. A writer's capital crime is conformity, imitativeness, submission to rules and precepts. A writer's work should be not only the reflection, but the magnified reflection of his personality. The only excuse a man has for writing, is to express himself, to reveal to others the world reflected in his individual mirror; his only excuse is to be original. He should say things not yet said, and say them in a form not yet formulated. He should create his own aesthetics, and we should admit as many aesthetics as there are original minds, judging them according to what they are not.
Let us then admit that symbolism, though excessive, unseasonable and pretentious, is the expression of individualism in art.
This too simple but clear definition will suffice provisionally. In the course of the following portraits, or later, we doubtless will have occasion to complete it. Its principle wi
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