A novel of decadence and mystic existentialism, Fantazius Mallare is a story of a mad recluse--a genius sculptor and painter who is at war with reason. Rather than commit suicide, his doting madness dictates that he must revolt against all evidence of life that exists outside himself. He destroys all of his work and then seeks out a woman who will devote herself to his Omnipotence. What follows is a glorious trek into a horrifying enlightening insanity.
To the end Mallare fancied himself aware of the drift and nuance of his madness. Its convolutions seemed neither incomprehensible nor mysterious to him.
An intolerable loathing for life, an illuminated contempt for men and women, had long ago taken possession of him. This philosophic attitude was the product of his egoism. He felt himself the center of life and it became his nature to revolt against all evidences of life that existed outside himself. In this manner he grew to hate, or rather to feel an impotent disgust for, whatever was contemporary.
When his normality abandoned him, he avoided a greater tragedy. In a manner it was not Mallare who became insane. It was his point of view that went mad. Although there are passages in the Journal that escape coherence, the greater part of the entries are simple almost to naiveté. They reveal an intellect able to adjust itself without complex uprootings to the phenomena engaging its energies. The first concrete evidence of the loathing
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