The hero of Mr. Hewlett's latest novel is Richard Cceur de Lion, whose character is peculiarly suited to the author's style. It is on a much wider plan than 'The Forest Lovers,' and while not historical in the sense of attempting to follow events with utmost exactness, it will be found to give an accurate portrayal of the life of the day, such as might well be expected from the author's previous work. There is a varied and brilliant background, the scene shifting from France to England, and also to Palestine. In a picturesque way, and a way that compels the sympathies of his readers, Mr. Hewlett reads into the heart of King Richard Cceur de Lion, showing how he was torn by two natures and how the title 'Yea and Nay' was peculiarly significant of his character. (Considered a masterpiece by T. E. Lawrence.)
roubled by many things. He had no retrospects nor afterthoughts; he tried to coax her into pliancy. It was the fires in the north that distressed her. Richard made light of them.
'Dear,' he said, 'the King my father is come up with a host to drive the Count his son to bed. Now the Count his son is master of a good bed, to which he will presently go; but it is not the bed of the King his father. That, as you know, is of French make, neither good Norman, nor good Angevin, nor seethed in the English mists. By Saint Maclou and the astonishing works he did, I should be bad Norman, and worse Angevin, and less English than I am, if I loved the French.'
He tried to draw her in; but she, rather, strained away from him, elbowed her knee, and rested her chin upon her hand. She looked gravely down to the whitening logs, where the ashes were gaining on the red.
'My lord loves not the French,' she said, 'but he loves honour. He is the King's son, loving his father.'
'By my soul, I do not,' he assured her, with