Edited by Schmitz and Zumpt.
public life, such as we have it in Cicero and Caesar, and a new and artificially-formed language of literature. Cicero and Caesar wrote just as a well-educated orator of taste spoke: after the death of Caesar, oratory began to withdraw from the active scenes of public life; and there remained few authors who, following the practical vocation of an orator, though at an unfavourable epoch, yet observed the principle which is generally correct--that a man ought to write in the same manner in which well-bred people speak. But most men of talent who devoted themselves to written composition for the satisfaction of their own minds, or for the instruction of their contemporaries, created for themselves a new style, such as was naturally developed in them by reading the earlier authors, and through their own relations to their readers and not hearers. Livy clung to the language, style, and the full-sounding period of the oratorical style, though even he in many points deviated from the natural refinement of a Caesar
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