Rachel Vinrace embarks for South America on her father's ship and is launched on a course of self-discovery in this modern version of the mythic voyage. In one of Woolf's wittiest, most satirical novels, we are introduced to Clarissa Dalloway, the central character of Woolf's later novel, Mrs. Dalloway. The mismatched jumble of passengers on the ship provide Woolf with ample opportunity to satirize Edwardian life.
ction?--not for publication, of course."
"I should suppose not," said Ridley significantly. "For a Divine he was--remarkably free."
"The Pump in Neville's Row, for example?" enquired Mr. Pepper.
"Precisely," said Ambrose.
Each of the ladies, being after the fashion of their sex, highly trained in promoting men's talk without listening to it, could think--about the education of children, about the use of fog sirens in an opera--without betraying herself. Only it struck Helen that Rachel was perhaps too still for a hostess, and that she might have done something with her hands.
"Perhaps--?" she said at length, upon which they rose and left, vaguely to the surprise of the gentlemen, who had either thought them attentive or had forgotten their presence.
"Ah, one could tell strange stories of the old days," they heard Ridley say, as he sank into his chair again. Glancing back, at the doorway, they saw Mr. Pepper as though he had suddenly loosened his clothes, and had become a vivacious and malici