ical which lived for ten months, entitled Ginger Stott's Weekly; in brief, during one summer there was a Stott apotheosis.
But that was ten years ago, and the rising generation has almost forgotten the once well-known name. One rarely sees him mentioned in the morning paper now, and then it is but the briefest reference; some such note as this "Pickering was at the top of his form, recalling the finest achievements of Ginger Stott at his best," or "Flack is a magnificent find for Kent: he promises to completely surpass the historic feats of Ginger Stott." These journalistic superlatives only irritate those who remember the performances referred to. We who watched the man's career know that Pickering and Flack are but tyros compared to Stott; we know that none of his successors has challenged comparison with him. He was a meteor that blazed across the sky, and if he ever has a true successor, such stars as Pickering and Flack will shine pale and dim in comparison.
It makes one feel sudde
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