Cover image for Huntingtower

Huntingtower

Author John Buchan
Categories Adventure, Fiction
Language English
Published 1921
Word count 79,650
Excerpt

a cold green radiance like some cavern below the sea. The air was warm and scented, and though it was very quiet there, a hum of voices and the strains of dance music drifted to it from the pillared corridor in which could be seen the glare of lights from the great ballroom beyond.

The young man had a thin face with lines of suffering round the mouth and eyes. The warm room had given him a high colour, which increased his air of fragility. He felt a little choked by the place, which seemed to him for both body and mind a hot-house, though he knew very well that the Nirski Palace on this gala evening was in no way typical of the land or its masters. Only a week ago he had been eating black bread with its owner in a hut on the Volhynian front.

"You have become amazing, Saskia," he said. "I won't pay my old playfellow compliments; besides, you must be tired of them. I wish you happiness all the day long like a fairy-tale Princess. But a crock like me can't do much to help you to it. The service seems to be the wrong way round, for here you are wasting your time talking to me."

She put her hand on his. "Poor Quentin! Is the leg very bad?"

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2005.12.04
Peter Thackeray

Peter Thackeray of www.johnbuchansociety.co.uk found this review from an unknown newspaper tucked away inside a first edition of this novel.


August 4th 1922
MR. BUCHAN'S LATEST ROMANCE

Huntingtower, by John Buchan.
(Hodder and Stoughton. 7s. 6d. net).
This story shows us Mr Buchan engaged in turning over and recombining into fresh groupings a heap of more or less familiar romantic 'properties'. His setting is the Scottish seacoast, and an untenanted mansion, in charge of a crew of surly, furtive lodgekeepers, who have something to hide, and betray the fact; and of a rough inn-keeper, who is desperately anxious to dissuade travellers from staying at his house.

They work under the direction of one Loudon, a factor, and a bluff, hearty, weather-tanned fellow, who makes the pleasantest impression of a wholesome open-air sportsman, till at length, we are allowed to detect in him just a fugitive gleam of something faintly suspicious. Loudon is good, in the traditional manner. There is a Danish brig, and a landing by a boat's crew of villains by night, and in stormy weather. There is, inevitably, a beautiful foreign girl, suitably provided with unscrupulous enemies, and with an unwelcome lover, 'beautiful as a devil,' who will stick at nothing. For the necessary contrast of the prosaic with the picturesque there is a middle-aged and wealthy Glasgow grocer, timid and respectable by habit, though a stout-hearted fellow at bottom, who has sold his business and blunders into this whirl of picturesque violence at the bidding of a life-long passion for romance, which his retirement has set him free at last to indulge.

Dickson McCunn has many engaging qualities besides his simplicity and kindliness. He has a harmless vanity which makes him thrill with pride when he over hears praises of 'D. McCunn, the great provision merchant', a praiseworthy habit of carrying Izaak Walton in his pocket when he goes on pilgrimage, and an invincible belief that what is needed to defeat the lovely foreigner's enemies is the 'sound business head' which has brought him his prosperity and modest fame.

As a piquant novelty Mr. Buchan has hit upon the device of introducing a band of ragged Glasgow lads, formed into an unofficial body of boy scouts. In the exuberance of their youth, they march to such songs as 'Class-conscious are we, and class-conscious wull be, Till our fit's on the neck of the Boorjoyzee', learned by one of their members at a Socialist Sunday school. But these are battle hymns, sung for the sake of their rhythm, without regard to their meaning, and the boys are unreservedly, not to say violently, on the side of law and order. They are amusing; but we wish Mr. Buchan could have made his villains anything but Bolshevists. The Bolshevist crops up in every shocker nowadays; but for romantic value he is, say, to the old-fashioned pirate, as a penny is to a pound. His associations are not picturesque at all, but merely ugly, and as a figure of romance he stands far below even the nihilist of a generation ago, who figured bravely enough in many of the older stories.