The thirty-four stories included within this volume do not illustrate the bloody, revengeful or licentious elements, with which Japanese popular, and juvenile literature is saturated. These have been carefully avoided. It is also rather with a view to the artistic, than to the literary, products of the imagination of Japan, that the selection has been made.
a frog become a man? Why not? If my pet son should travel abroad and see the world--go to Kioto, for instance--why shouldn't he be as wise as those shining-headed men, I wonder? I shall try it, anyhow. I'll send my son on a journey to Kioto. I'll 'cast the lion's cub into the valley' (send the pet son abroad in the world, to see and study) at once. I'll deny myself for the sake of my offspring."
Flump! splash! sounded the water, as a pair of webby feet disappeared. The "lion's cub" was soon ready, after much paternal advice, and much counsel to beware of being gobbled up by long-legged storks, and trod on by impolite men, and struck at by bad boys. "Kio ni no inaka" ("Even in the capital there are boors") said Father Frog.
Now it so happened that the old frog from Kioto and the "lion's cub" from Ozaka started each from his home at the same time. Nothing of importance occurred to either of them until, as luck would have it, they met on a hill near Hashimoto, which is half way between th
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