Peacock's novels are unlike those of other men: they are the genuine expressions of an original and independent mind. His reading and his thinking ran together; there is free quotation, free play of wit and satire, grace of invention too, but always unconventional. The story is always pleasant, although always secondary to the play of thought for which it gives occasion.
. Always there was a ground-work of good sense, and the broad sweep of the satire was utterly unlike the nibbling censure of the men whose wit is tainted with ill-humour. We may see also that the poet's nature cannot be expelled. In this volume we should find the touch of a poet's hand in the tale itself when dealing with the adventures of Mr. Chainmail, while he stays at the Welsh mountain inn, if the story did not again and again break out into actual song, for it includes half-a-dozen little poems.
When Peacock wrote his attack on Poetry, he had, only two years before, produced a poem of his own--"Rhododaphne"--with a Greek fancy of the true and the false love daintily worked out. It was his chief work in verse, and gave much pleasure to a few, among them his friend Shelley. But he felt that, as the world went, he was not strong enough to help it by his singing, so he confined his writing to the novels, in which he could speak his mind in his own way, while doing his duty by his country in the East